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The Abundance

Narrative Essays Old and New

ebook
3 of 3 copies available
3 of 3 copies available

In recognition of her long and lauded career as a master essayist, a landmark collection including her most beloved pieces and some rarely seen work, rigorously curated by the Pulitzer-Prize winning author herself

"A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader," warns Geoff Dyer in his introduction to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been "re-framed and re-hung," with fresh editing and reordering by the author, to situate these now seminal works within her larger canon.

The Abundance reminds us that Dillard's brand of "novelized nonfiction" pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud's poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar.

Including such classic essays as "Total Eclipse," "A Writer in the World" and "On Foot in Virginia's Roanoke Valley," The Abundance exquisitely showcases Annie Dillard's enigmatic, enduring genius, as Dillard herself wishes it to be marked.

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    • Publisher's Weekly

      November 9, 2015
      This collection gathers together many of Pulitzer-winner Dillard’s best-known writings, drawn from eight of her books, as well as one piece previously published in Harper’s Magazine. After witnessing a total eclipse early one morning, Dillard meditates on the human awe at, and wariness of, natural spectacle: “From the depths of mystery, and even from the heights of splendor, we bounce back and hurry for the latitudes of home.” Without being awake and attentive, Dillard warns, we’ll miss the wondrous details of the world around us and the nuances of our own lives: “I would like to live as I should, as the weasel lives
      as he should: open to time and death painlessly, noticing everything, remembering nothing, choosing the given with a fierce and pointed will.” On writing, Dillard declares: “Don’t hoard what seems good
      for another book... anything you do not give freely and abundantly becomes lost
      to you.” Fans of Dillard will find nothing new, but this collection serves as a bracing introduction for readers unfamiliar with her work.

    • Library Journal

      December 1, 2015

      This book, a writerly mashup of Dillard's best work, samples from an oeuvre 40 years in the making. Representative selections old and new span the author's whole career but primarily draw from her Pulitzer Prize-winning Pilgrim at Tinker Creek (1974), Teaching a Stone To Talk (1982), and stunning memoir An American Childhood (1987). Breakthrough pieces--"Total Eclipse," "Seeing"--spotlight her metaphysical and nature-focused subject matter, distinctive meditative style, and point of view. Ever a keen observer, Dillard hooks readers with unusual, often haunting, and yet precisely vivid descriptions. VERDICT This collection is an excellent entry point into Dillard's writing and would especially appeal to new readers, although Dillard devotees will also enjoy this kaleidoscopic retrospective, this new way of "seeing" her prose. That said, it will only whet their appetites, leave them hungering for and searching for her complete works. [See Prepub Alert, 9/14/15.]--Meagan Lacy, Guttman Community Coll., CUNY

      Copyright 2015 Library Journal, LLC Used with permission.

    • Kirkus

      January 15, 2016
      A collection of essays that serve as a solid introduction to a writer blessed with an all-consuming consciousness steeped in both faith and science. Over the span of a 40-year career, Dillard has written memoirs (An American Childhood, 1987, etc.) and novels (The Maytrees, 2007, etc.), but she is perhaps best known for her nonfiction narratives, which are personal and deeply aware. "It's all a matter of keeping my eyes open" she writes in an essay excerpted here from Pilgrim at Tinker Creek, the 1975 Pulitzer Prize winner that made her a literary celebrity at the age of 29. "Nature is like one of those line drawings of a tree that are puzzles for children. Can you find hidden in the leaves a duck, a house, a boy, a bucket, a zebra, and a boot?" Over the four decades since the publication of Pilgrim, the author's vision has only sharpened. Seeing a trapped deer ("The Deer at Providencia") raises the eternal question of suffering. In "The Weasel," Dillard contrasts an encounter between a thinking animal and a reactive one. She's at her best when seeing the world in a grain of sand, or billions of them; the essay "Sand" is also about prehistoric life and the Jesuit priest and philosopher Pierre Teilhard de Chardin, who devoted his life to uncovering it. A similar juxtaposition of micro and macro is at work in "An Expedition to the Pole," in which Dillard compares dual approaches to the infinite: Arctic exploration and Catholic Mass. The author gives insight into her own craft in her advice to younger writers: don't bank your fire. "Don't hoard what seems good for a later place in the book, or another book; give it, give it all, give it now," she writes. From the vantage point of her 70th year, this collection is a testament to a lifetime of doing just that.

      COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

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